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Steve Whitaker
Features Writer
@stevewhitaker1.bsky.social
P.ublished 14th February 2026
arts

Poem Of The Week: Ends By Matthew Sweeney (1952-2018)

Ends

At my end of the earth the Atlantic began.
On good days trawlers were flecks far out,
at night the green waves were luminous.
Gulls were the birds that gobbled my crusts
and the air in my bedroom was salty.
For two weeks once a whale decayed
on the pale beach while no one swam.
It was gelignite that cleared the air.

The uses of village carpenters were many.
Mine made me a pine box with a door,
tarpaulin-roofed, a front of fine-meshed wire.
It suited my friend, the albino mouse
who came from Derry and ate newspaper
and laid black grains on the floor.
When he walked his tail slithered behind.
And when I holidayed once, he starved.


Matthew Sweeney’s impeccably artful poem approaches the landscape of the otherwise ordinary from the perspective of an étranger, making of the detail – the bloated whale, the pine box, the albino mouse – strange emissaries of the surreal. At once playful and darkly suggestive, the alliteration and, in the first stanza, near comedy of the rhythm give on, later, to a symbolism of the moribund and the deadly in which the narrator’s own hand is visible. The odd syntactical reversals – the gulls and the gelignite specifically – foreground Sweeney’s own emissary, place him in the Illyrian tableau at the end of the world. His final act of neglect is profoundly detached, callous almost, as though any hint of complicity is dissolved as efficiently as the methane cloud by the explosion.



‘Ends’ is taken from The Lame Waltzer, published by Allison & Busby and Raven Arts (1985)