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Steve Whitaker
Features Writer
@stevewhitaker1.bsky.social
P.ublished 15th August 2026
arts

Poem Of The Week: Trust Me By Mary Ruefle

Trust Me

What can be discussed in words
I beg to state in brief.
A man has only one death:
it may be as light as goose down
or as heavy as a fatted hog.
Gingerly the flowers open
and are crushed in the vat.
What's in your new perfume?
The hills of Africa are in it,
and the cormorants with their mouths full of fish,
a bed of carnations, a swannery in Switzerland,
the citrine sun baking Napa
and a rhino whining at the moon.
An after-dinner argument is in it
and the ever stronger doses of claptrap
we are forced to take while still alive.
A whole aeroplane, wings and all,
and the lush spaghetti siphoned into lips
poised for a kiss.
Finish it, finish it.




American poet Mary Ruefle's 'Trust Me' is half polemic, half resigned elegy for errors and misjudgements, for the varieties of experience that accumulate to both overwhelm and underwhelm.

Neatly reversing her own intended brevity, Ruefle's narrator embarks on a journey of metonymic re-acclimatization whose stopping points are signifiers, suggesting, by associative accretion, the visions, the sounds and the olfactory resonances of human engagement and its attendant vagaries.

And in a sense, the poem's lush imagery and mannered formal beauty - the 'swannery in Switzerland', 'the citrine sun' - are heavily and deliberately ironised by the reality of disconnection: the omnipresent 'doses of claptrap' and the mess of spaghetti. Ruefle's final line is a triumph of sardonically delivered disgust.



'Trust Me' is taken from Apparition Hill, published by CavanKerry Press (2002)

The shortened address for this article is: newspub.uk/320il
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